Categories
butoh teachers news performance events

MERGE

CURATED BY HELEN LEE
COLLIDING MUSICIANS AND DANCERS IN UNEXPECTED CONFIGURATIONS

PROGRAM ONE: HANNAH MARCUS & MITSU SALMON MARCH 28, 29 & 30 AT 8PM

This program begins with Hannah Marcus performing bones fragile, a movement and live sound looping piece that explores moments of infiniteness, tenderness, and memory featuring Milo Sachse-Hofheimer. Afterwards artist Mitsu Salmon accompanied by Kikù Hibino draws from her own family history, voice, and geology in her work Desert Turtle.
GET TICKETS >>

PROGRAM TWO: 
FREEDOM FROM AND FREEDOM TO & KINNARI VORA
APRIL 4, 5 & 6 AT 8PM

Featuring: Cristal Sabbagh, Scott Rubin, Amanda Maraist, Sharon Udoh, Kara Brody & Krissy Bergmark. 

A publicity image for Freedom From and Freedom To, part of MERGE. Photo by Ricardo Adame.

Freedom From and Freedom To, led by Cristal Sabbagh, invites a pair of movement and sound improvisors from across Chicago to gather in front of a live audience, where they are grouped by chance. Artist Kinnari Vora dives into ritual with her piece Kissing The Earth, an offering to the ancestors who lived and breathed and at the same time are alive within us.

GET TICKETS >>

About The LookOut Series

The LookOut Series is excited for the return of its curatorial residency program, offering an opportunity for a Chicago dance practitioner to curate a series of performances over a two-week span. Following on the success of last season’s series work around curated by Kara Brody and Amanda Maraist, this season Helen Lee curates a series entitled MERGE, colliding musicians and dancers in unexpected configurations for two programs of work.

MERGE is a portal into the works of various movement and sound artists from all walks of life. Each program moves like a concert with an opening gesture followed by a headlining performance. Together these pairings collide creating a world where the entanglements of the chaotic and harmonious facets of dance and music can offer us a place to ruminate, delight and sometimes heal. 

ABOUT HELEN LEE

Helen Lee (they/she) is a Queer Asian Chicago-born interdisciplinary artist raised by immigrant parents from South Korea. They received an MFA with a focus in Performance and Film from The School of the Art Institute of Chicago and a BA in Dance with a minor in Theatre from the University of Hawaii at Manoa. They are the Artistic Director of Momentum Sensorium and have presented works in the US, South Korea, Japan, Germany, Iceland, Finland and Canada. Helen was selected for 2022 Newcity Breakout Artist and has been an Artist in Residence at Chicago Artists Coalition and Links Hall with a current residency at High Concept Labs and Chicago Cultural Center. Previously, they curated the Dance Program for APIDA Arts Festival at the MCA and OPEN/CLOSED: stories on moms and other precarious issues for SAIC’s Open Studio Night. Much of their work focuses on the senses, death, and the entanglement of light/shadow, summer/winter, joy/grief. 

ABOUT HANNAH MARCUS 

 Hannah Marcus is a Chicago-based dance artist and maker interested in supporting and deconstructing the materiality of the body. Her research finds form in collaborative performance and video work, often exploring the nexus between movement and technology, sound, language, visual design, and site-specificity. 

ABOUT MILO SACHSE-HOFHEIMER

Milo Sachse-Hofheimer graduated with a BFA in dance from the University of Minnesota – Twin Cities in 2023 where they received training from Erin Thompson, Ananya Chatterjea, Carl Flink, Hijack, Marciano Dos Santos and Laura Osterhaus. Throughout college, they performed repertoire from Gallim, Robert Moses, Annie Hanauer, BRKFST, Black Label Movement, Elayna Waxse, Leila Awadallah, and Brother(hood). In their final year of school, Milo performed with The Limon Dance Company and self-produced an evening-length show at the Red Eye Theater. Outside of school, they had the opportunity to perform work from Paulina Olowaska at the Walker, present work with Corpus Callosum Dance at the Southern Theater and Minneapolis/Indianapolis Fringe, participate in Sidra Bell’s Research Module, and attend the B12 Dance Festival, Bates Dance Festival and Gallim Winter Intensive. Since graduating, they have begun working with Black Label Movement as well as House of DOV, Hannah Marcus,and Fever Dream Dance Collective. 

ABOUT MITSU SALMON

Mitsu Salmon creates visual and performing works that fuse multiple disciplines. Creating in differing media—translating one medium to another—is connected to the translation of differing cultures and languages. Her work draws from familial and personal narratives and then abstracts, expands and contradicts them. Her current projects investigate familial histories, nature, imperialism and archives.

Salmon received her MFA from the School of the Art Institute of Chicago and BFA from NYU. She has participated in artist residencies such as at Taipei Artist Village (Taiwan), Incheon Art Platform (Korea),  Guildhall (NY) and Utah Museum of Contemporary Art. She has presented work at places such as the Museum of Contemporary Art Chicago, Indianapolis Museum of Art and Chicago Cultural Center. She has received the Midwest Nexus Touring Grant, Chicago Dancemaker’s Lab Grant, Utah Performing Arts Fellowship and grants from Salt Lake City. She is currently an assistant professor at Brandeis University.

ABOUT KIKÙ HIBINO

Japanese-born sound artist Kikù Hibino produces electronic music that focuses on unusual rhythmic structures and melodies inspired by nature, optical illusion and moiré patterns.

From chamber music for media productions to ambient noise for art installations, he has collaborated internationally with a wide variety of artists and scholars, including Whitney Johnson, Baudouin Saintyves, Yuge Zhou, Mitsu Salmon, Kawaguchi Takao (Dumb Type), Theaster Gates, Mike Weis (Zelienople) and Norma Field.

Kikù is on the Italian record label Superpang. His work has been shown in the Museum Of Contemporary Art Chicago, Bemis Center For Contemporary Arts, Reva and David Logan Center for the Arts, Experimental Sound Studio, Chicago Cultural Center, Three Walls, Compound Yellow, Elastic Arts, Hairpin Arts Center, Hyde Park Art Center, Utah Museum of Contemporary Art among others. He is a 2017 Individual Artist Grant recipient from Chicago Department of Cultural Affairs, 2021 Outer Ear Artist in Residency at Experimental Sound Studio. Kikù lives and works in Chicago.

ABOUT KINNARI VORA

Kinnari Vora shares stories of universal human conditions and emotions through movement, meditation and theatrical practices. Her movements are rooted in Bharatanatyam (disciple of Sarmishtha Sarkar, India), various Indian folk dances and kalaripayattu martial arts. Her work is guided by ancestral energy, wisdom of nature and collaborative communion. Being a physical therapist and a yoga practitioner/instructor, she integrates healing practices in her dancemaking. Kinnari is co-founder and artistic co-chair of Ishti Collective and a dancer collaborator with Surabhi Ensemble. Her works have been presented at The Art Institute of Chicago, Detroit Dance City Festival, Pivot Arts Festival, Ragdale Foundation, World Music Festival, among others and in India. 

ABOUT CRISTAL SABBAGH & SCOTT RUBIN

Cristal Sabbagh is a teaching interdisciplinary artist influenced by film, history, politics, Butoh and improvised sound. In her performances, her goal is to embody transformational memories, challenge power structures and awaken viewers’ senses. Cristal has found that working with live improvised music has inspired her best work, which has become vital to her practice.

Scott Rubin is a interdisciplinary musician and improvising violist whose work interrogates relationships between sound and movement through analog and digital means. His recent projects have involved interdisciplinary collaborations with musicians and dancers, often incorporating interactive acoustic/electronic improvisation, expanded performance practices, motion-sensors and live video. In these projects, he engages themes of intimacy, control and the sublime.

ABOUT AMANDA MARAIST & SHARON UDOH

Amanda Maraist is a movement based artist from the Texas Gulf Coast. In Chicago she co-directs bim bom studios, performs with Khecari, and works collaboratively with other performance, music and visual artists.

Sharon Udoh (they/she) is a gay, first-generation Nigerian-American composer, pianist, arranger, bandleader, and vocalist based in Chicago. Their work abandons genre and is expansive, and tells stories of human complexity, chaos and connection. She sometimes takes the stage under the name Counterfeit Madison; their performances are magnetic, dangerous, and kind, and her work has been commissioned by New York City Gay Men’s Chorus, Gay Men’s Chorus of Los Angeles, Portland Lesbian Chorus, Atlanta Women’s Chorus and D-Composed Chicago. Find out more at counterfeitmadison.com.

ABOUT KARA BRODY & KRISSY BERGMARK

Kara Brody is a movement based artist focusing her work towards collaborative spaces. She teaches frequently throughout the Chicago area and currently in collaboration with Lucky Plush Productions, Erin Kilmurray, Khecari and Faye Driscoll. 

Krissy Bergmark is a tabla player, percussionist, composer and educator. Bergmark centers her creative work on bringing tabla to new genres and cross-genres through composition and performance with a grounded understanding of the traditions of the instrument.

Categories
news performance events

Hot Mess! E10

Hot Mess! highlights moments of co-creation and gives the artists and the audience a play-space to meet each other across time, genre, cultures, perspective, experience.. it demonstrates the power of working together in the unknown, possibilities for Queering space, and the beauty in transformation while making art! All ages are invited to come witness these artists in person at Elastic or stream it online from home. This is a family friendly environment, so we invite you to bring the kids! We are especially pleased this Episode to welcome in person ASL interpretation by Olivia Ginn.

Episode 10 on Saturday, October 28
Two sets: 4:20pm & 8:00pm Central Standard Time

Hereaclitus (Chi) Fabulous Freddie (Chi) Mabel Kwan & Andrew Tham as MEGA LAVERNE & SHIRLEY (Chi) Karyna Herrera (Lucerne, Switzerland) Aurora Tabar (Chi) Iván Espinosa (Boulder, CO) with Joan Laage (Seattle, WA)

$15 Elastic Arts, 3429 W. Diversey Ave. #208 Chicago, IL 60647
Streaming: https://elasticarts.org/streaming
No advance ticket sales. Debit/Cash accepted at the door

Hot Mess! Curious?? Find out more

Featured Esteemed Artist bios:
Hereaclitus: 
In 87′ they met and collaborated with Linda Montano. Inspiring 2 decades of ART/LIFE biodynamic art.

Fabulous Freddie: Freddie’s dance journey is a self-exploration and healing practice in claiming himself whole through embodying his masculine and feminine energies as a Black Gay artist. By choosing to express himself through both Breaking and Vogue Femme movement foundations, he has opened a new space for an important conversation to happen through his body.

Mabel Kwan & Andrew Tham as MEGA LAVERNE & SHIRLEY is a band birthed from the fictitious art scene known as big TEEN. big TEEN bands revel in aesthetics of distraction, multiplicity, and metatheatrics. MEGA LAVERNE & SHIRLEY embrace this artistic framework with monolithic performances that incorporate synthesizers, MIDI sampling, multilingual declamations, choreography informed by Chinese calligraphy, and LED light worship. That is, MEGA LAVERNE & SHIRLEY attempt to overwhelm the audience in the hopes of bringing them into a new kind of focus; a kind of transcendence through multiplicity and confusion. It’s like witnessing a monumental event happen in two parallel universes simultaneously, or watching an episode of Laverne & Shirley in two languages.

Karyna Herrera: For me, art and culture are life companions. As an artist, I enjoy working in the areas of performance, photography, video and art research. Space and time are used consciously in my work. The starting point for my artistic work is usually personal observation and reflection on social and political events. At the same time, I am concerned with the question of the transience and continued existence of things, nature and humanity. In addition to time, space plays a central role in my artistic work. I want my experiences and feelings in space and time to be manifested in my works of art. Especially when I make performance art, I have to be able to create an immediate connection between myself and the space and convey this atmospherically to the viewer. I also find it exciting how traces left behind (relics) from a performance can themselves become art objects and take on a symbolic character. For me, these traces are part of the work of art.

In Lucerne I studied at the University of Art and Design and earned a master’s degree in art in public spaces. My acting studies complement my professional career. I have already taken part in several exhibitions and am active in various performance events. As a curator and co-organizer of performance events, I was active in the ((Ort)) studio until December 2018 in collaboration with Judith Huber and Silvia Isenschmid. “Make-Art-Happening” is my new project as a curator and organizer of exhibitions.

Aurora Tabar is a performing artist, occupational therapist, and multi-tasking mom. Her professional and creative practices examine the process of healing and the potential for transformation. Most recently Aurora had the pleasure of collaborating with members of WATCHTOWER (Rosé Hernandez, Ginger Krebs, Bryan Saner, and Sara Zalek) during a residency at Roman Susan Gallery. Aurora has presented solo and collaborative performances across Chicago including at Elastic Arts Foundation, Prop Theater, Links Hall, and High Concept Laboratories. As a special educator, Aurora is committed to inclusion and helping students build functional skills that they can carry into the future. She lives on the west side of Chicago with her partner, two adorable kiddos, and a cohort of cats.

Iván Espinosa is a Latino choreographer and interdisciplinary scholar that writes about and creates work engaged with mycology, climate change, interspecies performance, and Japanese Butoh.  Iván is currently a PhD student in Performance Studies at the University of Colorado. Iván has presented his ecology-themed artwork nationwide at venues such as La MaMa Experimental Theatre in New York, Seattle International Butoh Festival and numerous academic conferences. Iván began his formative artistic training in Seattle with Pacific Northwest Butoh pioneer Joan Laage, who continues to serve as his foremost mentor and collaborator to this day. Since graduating from NYU’s Tisch School of the Arts, Iván’s artwork has been focused on studying the relationships between human bodies and mycelium fungi networks through the lenses of bioacoustics and site-specific performance.  His recent multimedia installations involving mushrooms and mycelium bioacoustics were highlighted in a special issue of the PERFORMANCE RESEARCH journal titled “On Dark Ecologies.”

Hot Mess! cruise director Sara Zalek is a maker of situations and curious objects.They create performances as learning and listening situations to encourage thoughtful interpersonal connections. They enjoy wearing many hats. Zalek skillfully performs in both in person and online situations; in 2022 named an Esteemed Artist by The City of Chicago Department of Cultural Affairs and Special Events (DCASE). They have performed, curated workshops and produced citywide festivals at the Chicago Cultural Center, Elastic Arts, Experimental Sound Studio, High Concept Labs, Links Hall, Japanese Culture Center, CoProsperity Sphere, No Nation, dfbrl8r, Outerspace, and UrbanGuild in Tokyo, LightBox in Detroit, Arts+ Lit Lab in Madison, WI, B74 Raum für Kunst in Lucerne Switzerland, and many more.

Supported in part by Elastic Arts.
Elastic Arts is a non-profit organization that fosters a community of music, art and performance in the Avondale/Logan Square neighborhoods of Chicago and beyond through developing, hosting, producing, and promoting creative, independent, and local music concerts, exhibitions, and multi-arts performances.

Interested to Participate in 2023? Or to find out more specifically: https://forms.gle/JZ5dA6kajuF3un1u5
This is a paid opportunity.

Categories
news performance events

Hot Mess! E9

Hot Mess! highlights moments of co-creation and gives the artists and the audience a play-space to meet each other across time, genre, cultures, perspective, experience.. it demonstrates the power of working together in the unknown, possibilities for Queering space, and the beauty in transformation while making art! All ages are invited, especially the 4:20pm show that has many kids in attendance!

Episode 9: Saturday, July 29
Two sets: 4:20pm & 8:00pm Central Standard Time

Esteemed artists: Vanessa Skantze (Seattle) Wannapa P-Eubanks (Chi/Thailand) Michael Zerang (Chi) Carolyn Carney (Chi)
Muso (Chi) Juliann Wang (Chi) Anna Oxygen (Ithaca, NY) 
D Jean-Baptiste (Chi) Jinlu Luo (Chi)

$15 Elastic Arts, 3429 W. Diversey Ave. #208 Chicago, IL 60647
Streaming: https://elasticarts.org/streaming
No advance ticket sales. Debit/Cash accepted at the door

Episode 10: Saturday, October 28
Two sets: 4:20pm & 8:00pm Central Standard Time
Esteemed artists: Mabel Kwan, Aurora Tabar, Iván Espinosa, Hereaclitus, Karyna Herrera, more TBA

Hot Mess! Curious?? Find out more

Artist bios:
Muso is a storyteller whose goal is to create immersive worlds that center characters birthed from different aspects of her human experience. She focuses mainly on womanhood, sex, power and culture, ultimately as part of an identity which seeks to deconstruct and challenge hegemonic principles. Muso released her first EP Ache: Demos in 2022, which highlights a turbulent and defining arc of her life, where she spent time working in the sex industry, and the archetypes she encountered which gave her a visceral perspective into her relationship with the patriarchy. Muso uses poetry and prose as the baseline of her work, which she expresses through music and visual elements, with the goal of building worlds that reflect society back to itself, with the purpose of provoking an awareness that can be ushered into healing. 

GoldGrrl (she/her) is a queer Afro-Panamanian singer and dancer who specializes in metal scream vocals and performs Old Way Vogue with the House of Alain Mikli. She has a background in jazz choir and participated in the Georgia District Honor Choir. GoldGrrl led volunteer vocal workshops for G!RLs Rock camp and received an Awesome Foundation award in 2018 to teach adults how to scream safely. She was the lead vocalist for Chicago metal band ERZULIE from 2014-2019, which also raised funds for Chicago Women’s Coalition and Puerto Rican Relief Fund. Currently, GoldGrrl pursues a solo career that combines pop, metal and rap while also acting as frontwoman for three Chicago bands: psychedelic rock band Electric Mothership, acoustic folk duo Las Quintanas, and metal music collective Reko & Tha PurseSnatchers. Follow up with her on Instagram @goldgrrlchi and find her and her bands’ music on Spotify, Bandcamp, YouTube and SoundCloud.

Juliann Wang is an interdisciplinary artist, sound sculpture, and performer. Exploring spaces she has been, these inquiries question perceptions of time, space, and belonging through landscapes both real and imagined. Her creation embraces the intrinsic beauty of difference and unpredictable nature of things. An HCL Artist Fellow, she is currently preparing for her forthcoming album release with shows at Impromptu Fest at Elastic Arts, Harris Fest at Millennium Park, and Listening Event at Experimental Sound Studio.

D Jean-Baptiste: Whether through a budding experimental electro-acoustic group, a blossoming band called Fruitleather, solo audio work, or years of performance study both in and out of Chicago, D is learning to listen.

Vanessa Skantze transitioned from text-based performance to movement in 2001 when she co-created the sound/movement improvisation ensemble Death Posture with Donald Miller and Rob Cambre in New Orleans. Musicians she has worked with include Peter Kowald, Jarboe, and Tatsuya Nakatani. Vanessa became a student of Jinen Butoh founder Atsushi Takenouchi in 2003. She has trained extensively with Mari Osanai; and drawn deep from workshops with Natsu Nakajima, Seisaku, and Yuko Kaseki. Based in Seattle, Vanessa is a co-founder of Teatro de la Psychomachia, a DIY space which has hosted national and international performing artists and musicians since 2010. Her work Writhing Treasure Feast which premiered in Seattle in late February 2020 features a recorded score created by ten musicians and is accompanied by a 72 page book of photography/text. Vanessa performed in the NY Butoh Fest 2020 with her performance Red Flag on the Red Planet. Her film The Unraveling premiered in Unfix NYC 2021 and was screened at the South Sound Experimental Film Fest in Seattle. Vanessa was a highlight artist at Unfix NYC 2022 with her performance night mare, for which she co-created the sound. Vanessa performs and tours with To End It All, a doom/death industrial trio.

Wannapa P-Eubanks is as a Butoh dance performer, Improviser, Choreographer, Movement Coach, and emerging actor, who creates expressive dance/ movement inspired by personal memories. Her performances often stems from a personal experience or a specific memory that grows into a poetic image that she imbues with the memory. 

Michael Zerang was born in Chicago, Illinois and is a first generation American of Assyrian decent. He has been an active musician, composer, and producer since 1976, focusing extensively on improvised music, free jazz, contemporary composition, puppet theater, experimental theater, and international musical forms. http://www.michaelzerang.com/ https://pinkpalace.bandcamp.com

Jinlu Luo: I’m not very good at explaining my work through concepts, but I believe that while a personal history can be cosmetically touched-up, the history of one’s art cannot be changed. Once work is done it is done. My artwork is my soul, my emotions, my feelings, and my heart, displaying my experience of the world. My dramatization of thought is for my own purpose. I’m the audience of my own performance. What I can get a witness is not necessarily the performance product, which is to say the staging of ideas to audience eyes, but rather the dramatization of thought in the creative process itself. The staging of a performer-position gives second life to a personality. For this moment, being the director is not simply a metaphor for the struggle to make decisions but more a creative practical strategy to determine the route of a collaborative body. I consider the importance of casting as an alternative family, and thus my solo is a single-person household. My self-presentation is my own house, a solitary architecture on an open landscape of audience. This building oneself to a particular structure is always a moment of suffering. Here is a person-role.

Anna Oxygen is a multidisciplinary artist working with performance, sound, technology, mixed media and interactivity. .. frequently engaging intersections of body, voice, objects and ritual to reveal social and technological structures that tie individuals to communities…has special interests in interdisciplinary pedagogy, collaboration and community building across digital and hybrid platforms and often engages members of local communities in the work… most recent work explores feminist speculative world building, working between live performance and volumetric 3D/VR landscapes.. released several albums of music under the name Anna Oxygen, with a recent contribution to Kill Rock Stars 30th anniversary covers series.

Hot Mess! cruise director Sara Zalek is a maker of situations and curious objects.They create performances as learning and listening situations to encourage thoughtful interpersonal connections. They enjoy wearing many hats. Zalek skillfully performs in both in person and online situations; in 2022 named an Esteemed Artist by The City of Chicago Department of Cultural Affairs and Special Events (DCASE). They have performed, curated workshops and produced citywide festivals at the Chicago Cultural Center, Elastic Arts, Experimental Sound Studio, High Concept Labs, Links Hall, Japanese Culture Center, CoProsperity Sphere, No Nation, dfbrl8r, Outerspace, and UrbanGuild in Tokyo, LightBox in Detroit, Arts+ Lit Lab in Madison, WI, B74 Raum für Kunst in Lucerne Switzerland, and many more.

Supported in part by Elastic Arts.
Elastic Arts is a non-profit organization that fosters a community of music, art and performance in the Avondale/Logan Square neighborhoods of Chicago and beyond through developing, hosting, producing, and promoting creative, independent, and local music concerts, exhibitions, and multi-arts performances.

Interested to Participate in 2023? Or to find out more specifically: https://forms.gle/JZ5dA6kajuF3un1u5
This is a paid opportunity.

Categories
news performance events

Hot Mess! E8

Subscribe to continue reading

Subscribe to get access to the rest of this post and other subscriber-only content.