Orchid: Dormancy and Becoming is an interdisciplinary dance and performance work by Mitsu Salmon with a live soundscape by La Spacer.
The work will be performed outside and interacts with the environment in which it is presented. Through dance, electronic dance music, and lectures; the piece investigates the history and symbolism of orchids as connected to imperialism, sexuality, and the environment. This project was made possible through the support of the Chicago Dancemakers Forum Lab Award.
Check out this article about Mitsu and the Orchid in the Chicago Reader here.
On Zoom (listed below in Chicago, Honolulu, Tokyo time) Friday in Chicago 8-9:30pm; Honolulu 3-4:30pm; Tokyo 10-11:30am Saturday in Chicago 8-9:30pm; Honolulu 3-4:30pm; Tokyo 10-11:30am Sunday in Chicago 8-9:30pm; Honolulu 3-4:30pm; Tokyo 10-11:30am
Workshop Content: *Release exercises, inspired by Noguchi Taiso (Gymnastics), Taichi and Yoga *Breathing exercises *Dynamic training for the flow of energy *Butoh-related work to activate our universal memories (sensitization, combination of image and movement with antenna exercises such as figure of 8, water ball, animal, insect, snake, witch and fairy, the creatures inside us, hanging body, walking, dialogue with a partner etc) *Structured improvisation, free association
A Message from Yumiko: “I call my dance approach (or my body work) “Body Resonance.”
The world, including our body and soul, consists of vibrational waves that create constant resonances like echoes. When we tune our body to a certain frequency, we consequently get a resonance, and according to the frequency, we get different resonances. In order for this to happen, we need to first get rid of unnecessary tension.
Butoh (dance) for me activates divergent body energies that are usually not seen or permitted in our daily life. In other words, as our body is a receptacle of time, we can evoke its forgotten memories through dance.
Butoh has the intensity to trigger that process, because it creates heat through friction and cold through stillness. The transformations and concentrations of dancing break up the eggshell of form, melt down our armor of ego, as our stiff cells and sealed memories float in the primal liquid of time. Through a dialogue with our body, we learn not how to move, but to be moved. Consequently we realize that we are a part of the Universal, the wholeness.
My workshop, hopefully, can offer a help to enjoy that transformative /transcendental process of our entire presence.”
Contact email@example.com if you have questions about this workshop.
Yumiko Yoshioka is a Japanese Butoh dancer and choreographer from Tokyo. Since 1988 she has been based in Germany. Yumiko is a former member of Ariadone, the first female Butoh company, which was founded by Ko Murobushi and Carlotta Ikeda in 1974. In 1978, she performed with Ko and Carolotta in Paris, LE DERNIER EDEN – PORTE DE L’AU-DELA, the very first Butoh performance to be presented in a public theatre outside Japan. In 1988 she met Minako Seki and delta RA’i in Berlin, with whom she founded tatoeba THÉÂTRE DANCE GROTESQUE. This experience, along with work with the Butoh dancer Kim-Itoh, encouraged Yumiko to start to unfold her own personal style of dancing and choreography.
In 1989 she also started to develop and teach her own form of bodywork. The approach became a pillar of her career as a reflection of her profound understanding of the importance of deepening consciousness of the body, not only in order to dance and express, but also to illuminate our daily life, opening ourselves to the deeper layers of our inner world and rediscovering a subtle beauty in each moment. The strength of this perception led her to create her own method of bodywork, called “Body Resonance”
Mitsu Salmon will lead a Butoh, Japanese contemporary dance, workshop. We will work with guided imagery, movement and structured improvisation. The workshop draws from aspects and the trainings of Butoh and interweaves them with visions and textures of the desert from cacti to fission. The class will start with Noguchi exercises, which foster an experience of the body as water with the goal of encountering and releasing the body. Once our bodies and imaginations are opened, we will go into movement prompts. We will roll around in the sand, embody turtles and eat sour plums. Our bodies will become water seeping into cracks of rocks and ice creating ancient land formations. We will pull from imagery connected to animism, geology and physics. Students are welcome to modify exercises based on their comfort and inventiveness. The series works well together but also fine do drop-in. All levels welcome and please wear comfortable clothing.
In week one, we will have a quick introduction to Butoh and Noguchi, looking at the history of the dance form and learning warm-ups. From there we will imagine rolling through various landscapes such as desert, ice and rock to embody land formations. We will explore various energies as connected to sensation and movement such as electric, nuclear and fission. We will then be introduced to brush walking (suri ashi), a meditative form of traditional butoh walking.
In week two, we will start off again with the Noguchi warm-up. Looking at the writing of Kazuo Ohno, one of the founders of Butoh, we will dive into plant (desert and other) improvisation. We will explore ideas of ancestors and the environment. We will then be guided through layered imagery starting with a grandma eating plums to becoming a turtle.
In week three, we will build upon the Noguchi warm up. We will then work with Kazuo Ohno prompt connected to family, the desert landscape and rain. We will then review brush walking. From there we will look at explosive energy and physical and emotional release.
In week three, we will build about the Noguchi warm-up. I will then introduce examples and ideas of mythical creatures. From there we will be guided through one’s own imagery of mythical creatures. There creatures will then interact with one another whether through battle, dance or dream.
An introduction. Bob’s Compilation is a solid list for anyone looking to tap into sensitivity trainings of mind body awareness from a lineage of Butoh. Bob has a twenty year plus record of attending workshops and participating in performances with many of Butoh’s legendary masters. Both formal and informal techniques originate from Japanese masters, and have adapted and regenerated into European descendants, and folded back into it’s roots, which are a collage of Japanese, African, European, and American art, dance and performance styles of the early twentieth century. Butoh tends to have a murky water flavor, teaming with variation, nuance, and multiplicity. In our estimation, this dance form is the endless trickster, it becomes a ritual dance of the present, to mark a specific time and place, to be shared by all humans, including immigrants, refugees, otherly abled, and worldwide outsider artists seeking to express through the body, all of its vivid dimension. TransfoRMiNg, unLeaRNINg, DisCoVERIng, Resilience TraiNING. And More. All classes are suggested donation. Please do be aware that all of these artists support themselves by sharing their accumulated knowledge online. If you find any error or wish to add classes to this list, please reach out and let us know, we can update and revise as we go. (firstname.lastname@example.org)
Tuesday: 4-5:30am US eastern time Yumi Umiumare‘s butoh class from Melbourne, Australia She also operates on a suggested pay-what-you-can donation basis Register ahead of time with Yumi and she’ll add you to the class. Email Yumi, and she’ll send you the link: https://www.yumi.com.au/contact
1pm to 3pm US eastern time: Maureen Fleming‘s Metamorphosis class (from upstate NY). Butoh inspired, involves the use of elastic bands (that you can buy from Maureen) for the first half of the class, which is largely stretching and range of motion exercises, and the second half is learning a series of five Metamorphoses, which are sort of poetic moving poses that transition from one into the other. $100 for full series of 8 classes (twice a week). If you take Maureen’s class, you will want to get the elastic band set from them (it’s an excellent exercise tool) at this link: https://www.eventbrite.com/e/maureen-fleming-metamorphosis-series-tickets-103296628998
Belonging to a third generation of Butoh artists, Yumiko has developed a personal style of bodywork called Body Resonance, which integrates Butoh practice with features of Noguchi Taiso gymnastics and various other Asian training methods to help prepare the body to receive and transmit dance and inspirations.
Butoh/Curios/Chi hosts 3 days of Body Resonance On Zoom (listed below in US Central Time)
Earthdance hosts 3 days of Body Resonance On Zoom (these times in Central Daylight Time): Friday 11–12pm & 12:30–1:30pm Saturday 11–12pm & 12:30–1:30pm Sunday 11–12pm & 12:30–1:30pm More information and registration here.
WITD hosts 2 days of Body Resonance On Zoom (these times in Central Daylight Time): Saturday & Sunday 12-1:30pm More information and registration link here.
May 8 – 10
Bob Lyness from Hawaii will host a class especially for those in that part of the world! 5:00 – 6:30pm Hawaii time 10:00-11:00pm Chicago time Register here or contact : Bob Lynness @email@example.com
Yumiko’s words: “Body Resonance starts from the idea that the world, including our body and soul, consists of vibrational waves that create constant resonances like echoes. When we tune our body to that frequency, we receive images, feelings and sensations accordingly. For this to happen, we need first to shake off unnecessary tension. In effect, we make a white canvas of our body to paint new colour on it. I teach this as neutralization, encouraging a close-to-zero state, scouring off rust and polishing antenna to catch waves from profound layers of the body. The transformations and concentrations of dancing break up the eggshell of form. They melt down the armour of our ego, allowing resonant memories to emerge from our cells that are floating in the primal liquid of time.”
Yumiko Yoshioka: dancer, choreographer, teacher, art director is a Japanese Butoh dancer and choreographer originally from Tokyo. Since 1988 she has been based in Berlin. Yumiko was a former member of Ariadone in 1974, the first female Butoh company, founded by Carlotta Ikeda and Ko Murobushi. In 1978, she performed with Carlotta and Ko in Paris ”Le Dernier Eden- Porte de L’Au-Dela,“ the very first Butoh performance to be presented in a public theatre outside Japan. In 1988 she founded tatoeba THÉÂTRE DANCE GROTESQUE with Minako Seki and delta RA’i in Berlin (1988–1996). Between 1995–2015 she was a core member of TEN PEN CHii art labor, an interdisciplinary and experimental art formation, as a dancer and a choreographer along with JoaXhim Manger (visual artist) and Zam Johnson (composer and musician). Since 1995 she has also set up various collaborative projects across Europe such as “eX…it!, Dance eXchange Festival” at Schloss Bröllin in Germany, dance projects with Gest-Azione, with Annalisa Maggiani from Italy, and dance creations with Rena Konstantaki from Greece. Many other collaborations with international artists and dancers encouraged Yumiko to unfold her own personal style of dancing and choreography. www.yumiko-yoshioka.com
With sadness, and with a terrific need to respond in some way. Not knowing words, or combinations of words for these feelings, clearly in transition, as we are.
The much planned for Butoh Between Festival for May 2020 has been cancelled. All programming at OuterSpace is also cancelled until further notice. Our international artists have stopped travel plans. We are going dark so that we may transform, to find our present in the purpose of community and survival. We will communicate as we can, and urge you to share in ways that nurture generosity and open heartedness toward every one of us.
Wishing you health & sanity during a most surreal time.
We encourage each other to support feeding and housing our local communities. To remain engaged, and responsive to each situation. To trust that our body/mind will know how to respond. To cultivate self practice, mindfulness, and respect for all beings.
“Like what we know of the virus so far, we are uncommitted to anything particular. We mutate with the times.”
Proud to be a top pick in May ❤ Chicago, US. Calling all Butoh enthusiasts and all beautiful weirdos celebrate with us, in all the ways. See you soon! For a full list of events see : butohchicago.com
New city stage dance-top-5-may-2019/
#1 Butoh Non Festival (various venues) Workshops and performances in the Japanese avant-garde discipline with local and visiting artists take place at OuterSpace Studios, the International Museum of Surgical Science and No Nation Tangential Unspace Gallery throughout May. Through May 31
“Butoh brings a sense of finding something unique from deep inside each individual, not in beauty but based on real human experience, to share with audience,” said Zalek. “To me, Butoh offers a deepening sense of familiarity with human existence.”
September 1, 2, 8, 9, 15, and 16, 2018 Saturdays & Sundays 5-7pm
Where: Beginning at Caracol Gathering Space (located south of McCormick Place Bird Sanctuary, by the lakefront at 2400 S. Lake Shore Dr.)
Ending at La Ronda Parakata Gathering Space (south of the 31st St. Harbor, around 3300 S. Lake Shore Dr.)
Open the visceral door of your body, move within a flock. Join award-winning choreographer and master teacher Nejla Yatkin to explore the interaction between people, their movement, and the natural environment through this series of unique movement workshops on Saturday and Sunday afternoons in August. Participants will be guided through a process harnessing multiple practices including; Reiki, Feldenkrais, physical theater exercises, and contemporary dance. The conference will transform the way we experience ourselves through movement.
Workshop participants will perform in Conference Of The Birds, a series of six site-specific, interactive performances presented on Saturdays and Sundays in September in the Burnham Wildlife Corridor on Chicago’s lakefront. During each performance, workshop participants will guide an audience in an interactive and participatory movement practice inspired by bird flocking behavior with the goal of transforming audience self perceptions, their views of one another, and to move through an environment in new and unexpected ways.
My inspiration: “Everything in life moves. The human body is designed to engage with the environment through movement. Throughout a lifetime of choreographing, teaching, and dancing around the globe, I have learned how beneficial dance is to human development. Dance sharpens the senses, enhances social intelligence, challenges the body and mind and consequently reinvigorates our cognitive, physical and social development. In this workshop we will explore what moves people and how the collective energy inspires people to move.” –Nejla Yatkin
About: Nejla Yatkin Award-winning and critically acclaimed choreographer and dancer Nejla Yatkin is a recent Drama Desk Award Nominee, Chita Rivera Nominee for Outstanding Choreography, 3Arts Awardee, and Princess Grace Choreography award fellow. Nejla hails from Germany, bringing a luminous and transcultural perspective to her creations. Her focus is regularly drawn to the role that memory and history serve in constructing identity, causing and resolving conflict, and the possibility of transforming cultural tensions into deep, authentic moments of human connection.
Conference Of The Birds by Nejla Y. Yatkin is presented as part of the Chicago Park District’s Night Out in the Parks series, supported by Mayor Rahm Emanuel. Arts programming in neighborhoods across the city advances the goals of the Chicago Park District and the Chicago Cultural Plan. Now in its sixth year, the 2018 Night Out in the Parks series will host over 1,000 cultural events and programs at more than 250 neighborhood parks throughout the city, making community parks a safe haven and hubs of activity. Projects will vary from traditional performances and concerts, to movies, peace rallies, community workshops, nature based programs, dance pieces, festivals, and more. The Chicago Park District has partnered with more than 100 arts and community organizations to expand and produce this successful initiative. Conference of the Birds is also supported, in part, by Contratiempo, The Jay Pritzker Foundation, and the McClelland Foundation.
Now, we are at home. Let’s find coziness, joy, playfulness and bliss in our body. Our body is our real home, the home we hold within.
April 21 : We have a tail !!
Our tail initiates our movement and we get impulse from it.
April 22 : Body as Water bag !!
Water never moves by itself, water reacts from impulse! Water has all the qualities, it becomes soft when you swim, it might be a nice shower on the skin, sometimes a big wave pushes you or a strong water jet hits your back.
April 23 : Body as Point / Isolation Robot
Isolation based on wave. Isolation and wave sound like a contradiction. You will see today how we can make a bridge between these two phenomena:)
April 24 : images are twisted and duplicated / Picture of Francis Bacon
How is your body moving, going through a narrow door?
We will enter from daily movement into 100s of imaginary doors and rooms. Through imagination we will bring our body towards a magical world.
April 25 : Intention / Where is the blue bird?
Your intention emerges from your will! You want to drink a cup of coffee, and your body intents to do such a movement. We will start moving step by step, until reaching the dance of micro and macro cosmos
After registering, you will receive a confirmation email containing information about joining the meeting.
Please try to find a quiet, spacious and isolated place for this practice, according to the space you can enjoy these days:) Make sure your microphone is MUTE, and your video is ON. Click on the SPEAKER VIEW, to have Minako in the big picture.
By joining Minako Seki Online Workshop , you declare being in a good shape and being responsible for your own safety. Please be gentle with yourself:)
Donations: This workshop is donation based. In an effort to support my work during these challenging days, please consider making a donation. Our suggested donation is 10 € per class. I will be more than grateful to receive even higher donations if you can afford it 😉 Thank you so much for your support!
PLAN AHEAD for upcoming May Butoh Situation. This is our annual push to work deeply with experienced international teachers, to absorb deeply from a fresh perspective, to come together in the dance, the feeling, the continual transformation of learning, being actively curious, and empowered problem solvers. TO THRIVE
20/20 BUTOH BETWEEN FESTIVAL Minako Seki April 29-May 3 April 29/30 Wed/Thurs 6-10pm May 2/3 Sat/Sun 12-6pm
Yumiko Yoshioka May 6-10 May 6/7 Wed/Thurs 6-10pm May 9/10 Sat/Sun 12-6p
Mari Osanai May 20-24 May 20/21 Wed/Thurs 6-10pm May 23/24 Sat/Sun 12-6pm
REGISTRATION PRICES: Approximately $14/student hour, daily options thru festival pass options available soon. The most affordable as possible. These workshops do build every day, but our lives and schedules may not allow for complete immersion. Come to as many as you can, and we welcome all curious bodies!
The space does have a long set of stairs however, so REGRETfully it is not wheelchair/handicapped accessible.
Student/volunteer discounts available upon availability. Contact firstname.lastname@example.org for details or question.
Performances on Fridays in April and May Doors open 7-10:30pm, performances begin 7:30pm @OuterSpace Studios, 1474 N. Milwaukee Ave., Chicago, IL 60622 May 31 LAST NIGHT IN OUTERSPACE PERFORMANCES BY MANY MANY MANY
REGISTRATION LINKS COMING SOON
LO/NO TECH Performances as Farewell Fridays (artists & curators TBA) Fridays in May: 1, 8, 15, 22, && FINAL FINAL SHOW ON SUNDAY MAY 31