Peter Redgrave, Damon Locks & Wayne Montana
3429 W Diversey Ave #208
WEDNESDAY SEPTEMBER 12 | 9:00 PM | $10
Peter Redgrave is just back from a summer residency on Lasqueti Island, re-emerging back to into this world at Elastic Arts on Wednesday. Remember his tricks from Battles? Lights and ladders and holes in the sidewalk?
Peter cut his performance teeth in the early 90’s neo no wave scene in Chicago. Playing in the band Mother Country Death Rattle and other performative music ventures, his projects combined the band format with visual and conceptual elements.
Since 2010, Redgrave has focused on staging movement. Using theatrical devices and sound, Redgrave builds a compelling world where witnesses are not sure whether to chuckle or weep. His latest piece, The Education of Icarus, is an offering to those who tend the ambitions of others.
He will open the show and then have a short break to reset the stage and then have a fifteen – twenty minute improvised set with The Eternals before they tear the roof off.
Damon Locks is a Chicago based visual artist, educator, vocalist/musician, and deejay.
Wayne Montana is a member of The Eternals. He was also a member of Trenchmouth, a post-hardcore band from Chicago.
Typically on First Wednesdays, 7:30-9:00pm
Next Classes: April 4, May 2, and June 6
at Volta Performing Arts, 2142 N Milwaukee Ave, Chicago 60647
In these butoh-inspired movement classes we’ll work with specific pressure points (throat, jugular, sternum, femoral artery, instep…) and the twin impulses to protect (make a beetle of oneself), and to roll over and show your belly. We’ll also experiment with breath, “porousness” and yielding to gravity in order to invite swooping and acceleration, on the one hand, and steady, continuous movement, on the other. All skill levels welcome!
Ginger Krebs is a dancemaker, performer, and visual artist whose work has been shown recently in Chicago at the Chicago Artists Coalition, Loyola University, the Museum of Contemporary Art, the Hyde Park Art Center, and site-specifically at a traffic island in Wicker Park. Much of her movement suggests potential energy: the quivering of a body managing, defying, preparing for, or avoiding, rather than progressing decisively through space. Some inspirations for her new project, Escapes and Reversals, include wrestling, drone warfare, Swan Lake, and an instructional video that explains how to debone a chicken. Krebs is an Adjunct Associate Professor in Performance and Contemporary Practices at the School of the Art Institute of Chicago.
Solo Performance Works by Michael Sakamoto & Mitsu Salmon
Midwest Nexus Touring Grant Exchange
Sunday // December 3 at 7PM
Saturday // December 9 at 9PM
3111 W. Western Ave, Chicago, IL
As part of Trading Routes Festival
Michael Sakamoto & Christopher Jette
Sakamoto and Jette present excerpts from “blind spot,” a work-in-progress dance and sound performance. Using Michael’s autobiographical narrative and visual metaphors from photography and cinema, “blind spot” addresses the intersection between intellectual property, corporate militarism and personal narrative.
Tsuchi is a solo interdisciplinary performance piece. It draws from Mitsu’s great- grandfather’s experience of immigrating from Japan to Hawaii as a farmer and then becoming his dream of becoming a high-end waiter. The piece delves into and obscures his life and then branches out to the stories of Mitsu’s. The work explores questions of family and travel through Butoh, contemporary, dance, and everyday movements with music and text. Awarded best collaborative multimedia dance performance and Top 5 best emerging dancer performances from Newcity 2015.
About the Artists:
MITSU SALMON creates original performance and visual works, which fuse multiple disciplines. Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater.
She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival. She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall. www.mitsusalmon.com
MICHAEL SAKAMOTO is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.
CHRISTOPHER JETTE is a curator of lovely sounds, creating work as a composer and new media artist. His creative work explores the artistic possibilities at the intersection of human performers/creators and technological tools. Christopher’s research details his technical and aesthetic investigations and explores technology as a physical manifestation of formalized human constructs. A highly collaborative artist, he has created works that involve dance, theater, websites, electronics, food, toys, typewriters, cell phones, instrument design and good ol’ fashioned wood and steel instruments. In addition to creating concert music, Christopher explores Creative Placemaking through site-specific and interactive work as a core-four member of the Anchorage based Light Brigade. He was the 2015-16 Interdisciplinary Grant Wood Fellow and Visiting Assistant Professor of Music at the University of Iowa and currently serves as Visiting Artist at Stanford University’s Center for Computer Research in Music and Acoustics.