Yuko Kaseki / Frontier in Body Tadashi Endo / HAUTNAH
Celebrating five years as an ad-hoc passion project, Butoh Chicago is proud to present disillusion/dissolution, a Butoh non festival in May, 2019. We will feature performances, workshops, and informal gatherings around Butoh for the month. Join us, won’t you?
Power Ouch! is a four-night festival of body-based performance examining the ways violence shapes our lives and our experiences. The program features dance, installation, and performance art: work that looks like self-defense and like battle, that grapples with complex forces—resisting, yielding, mobilizing—to offer a solid blow against oppression.
Aurora Tabar and Carole McCurdy are curating Power Ouch! at Links Hall in Chicago. Participating artists include Holly Arsenault, Carly Broutman, Eryka Dellenbach withHanna Elliot and Nola Sporn Smith, Cat Mahari, Marcela Torres, and Rob Welcher with Jeff Hancock and Joseph Hutto. Read more about the artists and their work on their Facebook page.
Participating artists include Holly Arsenault, Carly Broutman, Eryka Dellenbach withHanna Elliot and Nola Sporn Smith, Cat Mahari, Marcela Torres, and Rob Welcher with Jeff Hancock and Joseph Hutto. Read more about the artists and their work on their Facebook page.
Consider making a donation to support Power Ouch! 100% of proceeds directly support the artists. Any donation, large or small, will help them get to their goal of $4,000. You can donate on their Facebook campaign.
FESTIVAL SCHEDULE Thursday, February 14, 2019 @ 7 pm Cat Mahari Eryka Dellenbach, Hanna Elliot, and Nola Sporn Smith
Friday, February 15, 2019 @ 7 pm Cat Mahari Carly Broutman Eryka Dellenbach, Hanna Elliot, and Nola Sporn Smith
Saturday, February 16, 2019 @ 7 pm Jeff Hancock, Joseph Hutto, and Rob Welcher Marcela Torres
Sunday, February 17, 2019 @ 7pm Jeff Hancock, Joseph Hutto, and Rob Welcher Carly Broutman Holly Arsenault
All performances at Links Hall 3111 N Western Ave Chicago, IL 60618
$15 general admission/$12 students and seniors Visit linkshall.org to buy tickets
Friday August 24th @7pm Saturday August 25th @3pm MCA Chicago, 220 E Chicago Ave
Rika Lin (aka Fujima Yoshinojo) is a shin-nisei, a part of the postwar Japanese American diaspora, an interdisciplinary performing artist, a choreographer, and a grandmaster in Fujima-style Japanese classical dance, Nihon Buyoh. For her Lab project Asobi: Playing within Time, Yoshinojo trifles with the perception of time as an act of dancing. Searching for and testing the line connecting judgement to gender perception, Yoshinojo’s momentary, organic reaction reflects or responds using the traditional and creative musicians of the Reduction Ensemble, directed by Tatsu Aoki. Her choreography, which stems from traditional pedagogy, lulls viewers into believing what at first appears to be a traditional Japanese dance but is in fact a transgression, filled with subtle expressions of humor and protest.
BLIND SPOT Michael Sakamoto & Christopher Jette
Sakamoto and Jette present excerpts from “blind spot,” a work-in-progress dance and sound performance. Using Michael’s autobiographical narrative and visual metaphors from photography and cinema, “blind spot” addresses the intersection between intellectual property, corporate militarism and personal narrative.
TSUCHI Mitsu Salmon
Tsuchi is a solo interdisciplinary performance piece. It draws from Mitsu’s great- grandfather’s experience of immigrating from Japan to Hawaii as a farmer and then becoming his dream of becoming a high-end waiter. The piece delves into and obscures his life and then branches out to the stories of Mitsu’s. The work explores questions of family and travel through Butoh, contemporary, dance, and everyday movements with music and text. Awarded best collaborative multimedia dance performance and Top 5 best emerging dancer performances from Newcity 2015.
About the Artists:
MITSU SALMON creates original performance and visual works, which fuse multiple disciplines. Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater.
She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival. She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall. www.mitsusalmon.com
MICHAEL SAKAMOTO is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.
CHRISTOPHER JETTE is a curator of lovely sounds, creating work as a composer and new media artist. His creative work explores the artistic possibilities at the intersection of human performers/creators and technological tools. Christopher’s research details his technical and aesthetic investigations and explores technology as a physical manifestation of formalized human constructs. A highly collaborative artist, he has created works that involve dance, theater, websites, electronics, food, toys, typewriters, cell phones, instrument design and good ol’ fashioned wood and steel instruments. In addition to creating concert music, Christopher explores Creative Placemaking through site-specific and interactive work as a core-four member of the Anchorage based Light Brigade. He was the 2015-16 Interdisciplinary Grant Wood Fellow and Visiting Assistant Professor of Music at the University of Iowa and currently serves as Visiting Artist at Stanford University’s Center for Computer Research in Music and Acoustics.