PLAN AHEAD for upcoming May Butoh Situation. This is our annual push to work deeply with experienced international teachers, to absorb deeply from a fresh perspective, to come together in the dance, the feeling, the continual transformation of learning, being actively curious, and empowered problem solvers. TO THRIVE
20/20 BUTOH BETWEEN FESTIVAL Minako Seki April 29-May 3 April 29/30 Wed/Thurs 6-10pm May 2/3 Sat/Sun 12-6pm
Yumiko Yoshioka May 6-10 May 6/7 Wed/Thurs 6-10pm May 9/10 Sat/Sun 12-6p
Mari Osanai May 20-24 May 20/21 Wed/Thurs 6-10pm May 23/24 Sat/Sun 12-6pm
REGISTRATION PRICES: Approximately $14/student hour, daily options thru festival pass options available soon. The most affordable as possible. These workshops do build every day, but our lives and schedules may not allow for complete immersion. Come to as many as you can, and we welcome all curious bodies!
The space does have a long set of stairs however, so REGRETfully it is not wheelchair/handicapped accessible.
Student/volunteer discounts available upon availability. Contact email@example.com for details or question.
Performances on Fridays in April and May Doors open 7-10:30pm, performances begin 7:30pm @OuterSpace Studios, 1474 N. Milwaukee Ave., Chicago, IL 60622 May 31 LAST NIGHT IN OUTERSPACE PERFORMANCES BY MANY MANY MANY
REGISTRATION LINKS COMING SOON
LO/NO TECH Performances as Farewell Fridays (artists & curators TBA) Fridays in May: 1, 8, 15, 22, && FINAL FINAL SHOW ON SUNDAY MAY 31
A rare and beautiful treat! Tadashi Endo leads six days of choreographic workshops and with a final performance open to the pubic May 25-31. If you are even slightly Butoh curious, flow your juices over to OuterSpace studios on May 31 to see us perform. If you want to just dip your toe into the Butoh training, or can’t commit to the entire week, consider trying one or two classes to see what you discover.
We will focus on recovering, finding the space between things, discovering new patterns, new imaginations, new sensations, while encouraging continued growth in each of our bodies. When Tadashi Endo is teaching, he gives a deep view into Butoh philosophy and speaks to what Kazuo Ohno and Tatsumi Hijikata were thinking and where we can find inspiration for our own work. Tadashi Endo lets us search for our own Butoh.
HAUTNAH means close to the skin. The audience will sit very close, be strong and present. During the workshop, Tadashi will not rehearse exactly what your dance will be, but he will give you time and space for you to research yourself under his guidance.
Are you ready? Early registration deadline quicky approaching for Yuko workshop, Frontier in Body, and many other opportunities to see and experience butoh / butô liveliness in Chicago!Short calendar of events:
Yuko Kaseki / Frontier in Body Tadashi Endo / HAUTNAH
Celebrating five years as an ad-hoc passion project, Butoh Chicago is proud to present disillusion/dissolution, a Butoh non festival in May, 2019. We will feature performances, workshops, and informal gatherings around Butoh for the month. Join us, won’t you?
TWO EVENINGS OF BUTOH TRAINING September 26/27 6-9:30pm $50 per night, $90 for both @Outerspace!! 1474 N. Milwaukee Ave. Register online
Embodying the Spirit: Butoh Training with Joan Laage
Experience training methods towards a supple body and mind, and investigate aesthetics common to Butoh through creative explorations. This workshop is a process of erasing and re-creating the body through guided improvisation largely inspired by nature imagery. ETS explores endless questions: What is life? What is the human condition? What is the body? How can we experience infinity within the body/mind? The workshop structure includes exercises and explorations of physical body, nature body, and transforming body. Group and partner work will facilitate participants’ individual and collective journeys. The workshop draws from her training with Butoh Masters Kazuo Ohno and Yoko Ashikawa and her background as a Tai Chi practitioner and professional gardener.
Joan Laage (Kogut Butoh) studied under butoh masters Kazuo Ohno and Yoko Ashikawa and performed with Ashikawa’s group Gnome in Japan in the late 80s. After settling in Seattle in 1990, she formed Dappin’ Butoh, a company known for its appearances in Seattle’s fringe theater and dance festivals. Joan has performed and taught at national and international butoh and dance festivals, and was a featured artist at the UCLA Butoh Symposium in May 2011, and has been an adjunct faculty at Cornish College of The Arts (Seattle). She is featured in Dancing Into Darkness: Butoh, Zen, And Japan and Butoh: Metamorphic Dance and Global Alchemy by Sondra Horton Fraleigh. She performs frequently at the Seattle Japanese Garden where she is a docent. Joan is known as a NW butoh pioneer, and is a founding member of DAIPANbutoh Collective which produces an annual butoh festival in Seattle. www.seattlebutoh-laage.comwww.daipanbutoh.com
There are a few more days to catch the Early Registration Deadline for Yumiko’s Workshop April 21-24! Purchase full immersion tickets for $185 until April 7 at 6pm, or use the code: 34rlyb1rd for 10% of individual day ticket sales. More information about the workshop here: https://butohchicago.wordpress.com/yumiko-in-spring/
April 2, 12-3pm. One Day Only Workshop at Columbia Dance Center
This three hour workshop and conversation delves into contemporary Butoh thought and artistic practice. Visiting Butoh dancer and scholar Michael Sakamoto leads a two hour movement workshop followed by a conversation with Columbia Dance Center faculty and dancer Darrell Jones to enlighten us on their individual approaches to presenting Butoh within contemporary performance practice. Come prepared to move and reflect. All levels welcome! RSVP for this free workshop ASAP. Class size is limited to 24.
Michael Sakamoto is an interdisciplinary artist and scholar active in dance, theatre, performance, media and photography. His solo, ensemble and visual works have been presented in 14 countries throughout Asia, Europe and North America.
Currently touring “Flash,” a butoh/hip-hop duet with Rennie Harris, Michael is also developing “blind spot,” an intermedia performance and book project integrating discourses around the body, media imagery and intellectual property, and “Soil,” a dance theater trio with performers from Thailand, Cambodia and Vietnam/USA. Michael’s research and performance interests include contemporary imaginings of the butoh-based “body in crisis,” corporeal and mediated embodiments of self-reflection and social resistance, and performing the cultural commons and cultural sustainability. From 1994-2000, he was also a featured soloist in the Rachel Rosenthal Company.
Michael holds an MFA in Dance and PhD in Culture and Performance from UCLA, is former Co-Director of Goddard College’s MFA in Interdisciplinary Arts Program and currently serves as Assistant Professor in Dance at the University of Iowa.
Darrell Jones has performed in the United States and abroad with a variety of choreographers and companies such as Bebe Miller, Urban Bush Women, Ronald K. Brown, Min Tanaka and Ralph Lemon.
Along with performing Darrell continues to choreograph and teach. He has collaborated with other choreographers (Paige Cunningham, Lisa Gonzales, Damon Green, Angie Hauser, JSun Howard, Kirstie Simpson, Jeremy Wade), writers (Cheryl Boyce-Taylor), musicians (Jessie Mano, Brian Schuler, Justin Mitchell) and designers (Mawish Syed) in dance films, documentations and interactive multimedia installations. In addition to his collaborative work he continues to work in solo forms and has choreographed for professional and student ensembles (The Seldoms, University of Colorado, Univeristy of Illinois).
Darrell has received choreographic fellowships from MANCC, CDF (Chicago Dancemakers Forum) and is a two time Bessie award recipient for his collabrative work with Bebe Miller Company and his most recent research in (e)feminized ritual performance.
Darrell has also taught workshops and master classes in dance technique and improvisational processes throughout the United States and in other countries such as South Africa, UK, and South Korea. Darrell is presently a tenured faculty member at at The Dance Center of Columbia College in Chicago where he teaches classes in dance techniqe, performance and improvisational practices. His classes are informed by his training and studies in a variety of contemporary dance techniques and Traditional Dance forms.
To truly awaken the body is a physical, emotional, mental and spiritual process. Every Butoh Ritual Mexicano workshop involves high-impact aerobic training, active meditation, and guided improvisation, all embraced within a sense of communal ritual. The collective physical training consists of stretching, shaking, jumping, low-level groundwork, balancing, partnering, weight sharing, impulse exchange, bodywork, bioenergetics, breath expansion, and transpersonal communication. Active meditation exercises are introduced to quiet the mind and awaken originative, non-reactive impulses for organic movement. Guided improvisations then give participants the opportunity to integrate this newfound sensory awareness within their physical body, environments both internal and external, and the shared workshop space.
Diego Piñón’s teachings are the distillation of his extensive research in body-based energy methodologies he has developed since 1975. Butoh Ritual Mexicano is primarily derived from Diego’s Mexican heritage with traditional energetic practices and Japanese butoh under the guidance of Kazuo Ohno, Yoshito Ohno, Min Tanaka, Natsu Nakajima, among others. Diego’s extensive artistic research includes modern dance technique, contemporary movement and theater practice, and therapeutic body modalities. He performs and teaches throughout the US, Canada, Europe and Mexico using Butoh Ritual Mexicano as a means to transform personal and collective divisions through the dancing body and to cultivate a deeper connection to our shared humanity.
The Substitute Sunday, August 30th
12pm – 2pm
1474 N. Milwaukee Ave. Chicago, IL
$10 suggested donation or pay what you can.
A Butoh class taught by Adam Rose of Antibody Corporation, as part of
Butoh Body normally taught by Sara Zalek.
This class will focus on explorations of symmetry and asymmetry, and exercises in overcoming musical taste by learning to dance to anything.
One Night Only Butoh Workshop by Seattle Butoh artist Vanessa Skantze
@2130 W. 21st Street, 6-9pm just $30. RSVP to firstname.lastname@example.org to attend!
The body dancing Butoh asks of itself absolute presence and utter surrender. In Listening to the Bones, Vanessa will guide a revelation of the body as instrument through the practice of deep listening and becoming other. Creating a space of curiosity and trust while fostering intense physical/mental focus, the workshop will: facilitate awareness of the concurrent structural and energetic alignment of the body; explore limits of flexibility and strength, speed and stillness, instability and ground; work in pairs to develop listening beyond the skin; and invoke imagery to be absorbed into the body– creating the offering of Butoh dance.
“Butoh is a corpse standing straight up in a desperate bid for life” Tatsumi Hijikata
“To translate the invisible wind through the water it sculpts in passing”. – Robert Bresson
Vanessa Skantze is a Butoh artist and teacher of yoga and dance from Seattle. She has performed in the U.S. and Europe for over 20 years. She co-founded New Orleans sound/movement ensemble Death Posture in 2002, and collaborates with many renowned musicians including Jarboe and percussionist Tatsuya Nakatani. Skantze has trained with Jinen Butoh founder Atsushi Takenouchi since 2003, and performed with him in the U.S. and Europe. Since coming to Seattle in 2004 she has created numerous ensemble works under the name Danse Perdue as well as solo pieces. In 2013 she taught as part of Lydia Lunch’s Post-Catastrophe Collaborative. In 2014 her work ‘Radiant Poison” was performed by a quartet of dancers at the UWABE festival in Asheville, N.C. She is currently touring a new work, ‘Metempsychosis’, to original sound by Kris Force.