100 Light Years of Solitude

Wednesday, April 25 *One Night Only

Following Yumiko Yoshioka’s acclaimed solo “Before the Dawn”, this is the second part of her trilogy “From 1 to 100”. 100 Light Years of Solitude is inspired by Garcia Marquez’s “One Hundred Years of Solitude” to explore a state of solitude Yumiko dances the life of a unique creature, born on a planet 100 light years away from ours. Imagining that this creature is the only one of its species on that planet, it enjoys unfolding its life until it realizes its destiny… to exist in solitude. Yumiko says, “In my childhood, I was always fascinated by the imaginary creatures and monsters of fairy tales. Butoh, a dance of metamorphosis, helps me to explore this imaginary world, and make something invisible visible.”

Direction/Choreography /Dance – Yumiko Yoshioka
Co-direction – Miguel Camarero
Costume – Pablo Alarcon
Light design/ technical direction – Spiros Paterakis
Music composition – Tomas Tello/ Zam Johnson

7:00pm @Links Hall, 3111 N. Western Ave.
Get tickets early!

Interested in learning more about Butoh?

Check out Yumiko’s workshops at the Japanese Culture Center April 19-22

Bridge Dance Festival – Links Hall

Bridge Dance Festival 
April 6 – May 6, 2018
Links Hall

SCHEDULE AND FESTIVAL PASS

Performances:

Enmei (Long Life)

4/6, 4/7 – 7:00pm

‘Enmei (“Long Life”): A Dance and Aging’ Project brings together dancers and designers from the United States and Japan to explore what it means and what it takes to age as a woman in the field of contemporary dance. Artists Kei Takei and Masako Kitaura join forces with Mary Fitzgerald, Eileen Standley and Rose Weitz to create an evening of solo and collaborative works that examine how our respective cultures value and represent women dancers as they age. Using the dancing body as a site of exploration, Enmei investigates our unique cultural histories by collapsing the past and present, the personal and universal, the tangible and immaterial. In a series of three distinct sections that are both richly layered and stripped down, these works are a testament to the accumulated wisdom of the aging body, and a celebration of the human spirit.

‘Enmei’ features an original musical score created by Kotoka Suzuki. Guest performer Laz Brezer, Associate Director of Moving Earth, also will be joining the cast for these performances.

100 Light Years of Solitude

4/25 – 7:00pm

Following Yumiko’s acclaimed solo “Before the Dawn”, this is the second part of her trilogy “From 1 to 100”. 100 Light Years of Solitude is inspired by Garcia Marquez’s “One Hundred Years of Solitude” to explore a state of solitude Yumiko dances the life of a unique creature, born on a planet 100 light years away from ours. Imagining that this creature is the only one of its species on that planet, it enjoys unfolding its life until it realizes its destiny… to exist in solitude. Yumiko says, “In my childhood, I was always fascinated by the imaginary creatures and monsters of fairy tales. Butoh, a dance of metamorphosis, helps me to explore this imaginary world, and make something invisible visible.”

Direction/Choreography /Dance – Yumiko Yoshioka, Co-direction – Miguel Camarero, Costume – Pablo Alarcon, Light design/ technical direction – Spiros Paterakis, Music composition – Tomas Tello/ Zam Johnson.

CLUTCH

4/27, 4/28 – 3:00pm

A word from CLUTCH creator, Darrell Jones:

“For the past ten years, my artistic research has found its central focus through a conversation between my postmodern training and the voguing aesthetic. My goal in this work…go beyond mere replication and unravel the physical poetics. Can this specific gay minority art form and my refracted materials be a metaphor for global ideas of oppression, transgression and transformation? As I have continued my research into the aesthetic I continue to work with various demographics with particular questions into how the physical languages and improvisational approaches can influence and be influenced across cultures. In this research in how to battle mechanisms of oppression through the physical form, it felt right to change the turf, go long and far, train and create in a place seasoned in its cycles of oppression, resistance and liberation. Sharing these processes out of an American context developed ways in which to see the movements in a new frame. This seemed like good scientific method –test it out in multiple places, with multiple people, see what lives, see what dies. In a residency period in Japan my counterpart in this project, used the analogy of planting seeds. She plants the idea seeds and through her creative process notices the inherent features, qualities and patterns of growth given the elements of sustenance. This project was a rare opportunity to observe the effect of novel soil in unfamiliarizing my artistic materials. A fresh country on our very American dance.”

Kaori Seki’s New Creation for US Tour (Title TBA)

4/27, 4/28 – 7:00pm

A contemporary choreographer based in Japan, Kaori Seki explores the possibilities of the live encounter, engaging the audience’s senses and evoking nostalgia and memories that are difficult to record. Previous dances have incorporated stimuli such as fragrances or fabric in order to awaken the minds and bodies of the audience. Like her company name “PUNCTUMUN”— a portmanteau that describes “a small, distinct point”— Seki, who is trained in classical ballet and modern dance forms such as Butoh, creates work that is meticulous, sensuous, and subtle.

Beyond The Box II ~ Yu (遊)

5/4, 5/5, 5/6 – 7:00pm

Beyond the Box II ~ Yu(遊), takes another step and explores the roles of women from the confines of traditional Japanese classical dance where female characters are predominantly limited to subtle, contained, and subdued expressions. Up against this notion of submission, Yu boldly and creatively deviates from the accepted norm in traditional Japanese performance practices, the performers facilitate the meta-perceptual opportunity to embody the full range of emotional and physical expression, strength, and power, and subconsciously accepted standards for gender identity. Yoshinojo Fujima, Hokkaido calligraphy artist Natsuki Kubo, and the Reduction Ensemble, led by renown artist/creative musician Tatsu Aoki present: “Yu (遊)” as the concluding event of the Bridge Dance Festival. The performance also commemorates the first collaboration of the Chicago-Obihiro Artist Exchange.

Make the Brutal Tender

Eryka Dellenbach leads Butoh Body March 18 & 25 12-2pm @OuterSpace Studios $15 walk in, or FREE with JIM membership

In this 2-part workshop we will consider the ‘threshold’ as both a personal or subjective limit[ation], and as a border between that-which-is and that-which-is-not. In part through repertoire born out of Eryka’s present performance project, entitled Make the Brutal Tender, we will attempt to explore the qualifiers tender and brutal corporeally, and learn directly from the body using what is immediately available to us:

Physical Space: Floor, Wall
Body: Ours and other’s
Energy: Ours and other’s

Accompanied by sound artist Hanna Elliot (HOGG, Goad Deimos), she will lead us through simple and greatly variable exercises that will allow us to cultivate miniature, sensual (as opposed to verbal) dialogues around comfort and discomfort, pain, impulse, effort, nurture and hopefully, fear. In addition to butoh, activities in the workshops are also culled from her experience in capoeira, flying low, flamenco and play-fighting techniques, and reinterpreted.

Everyone is welcome! These workshops are about exploring your own threshold(s).

Please wear comfortable clothing. We will work barefoot.

*Alternative tasks can always be provided for those who wish to work alone during partnering exercises.

The Threshold:
The brink of being a thing (border, barely)
The limit of a thing (capacity, furthest)

MA間 :
Space between objects
Silence between sounds = ‘palpable absence’, ‘pregnancy’, ‘potential’
Stillness between movements

Sillage:
Lingering scent
Impression left in a sheet or pillow

Link to Make the Brutal Tender project: https://www.makethebrutaltender.com/
Link to Hanna Elliot’s music: http://www.thebrvtalist.com/hogg/

Yumiko Yoshioka BODY RESONANCE

Body Resonance
The body as a receptacle of time.
A dance of metamorphosis inevitably appears.


The main focus of this workshop is a conscious research in the unification of our body/mind/soul, so that we can deeply enjoy the intrinsic process of metamorphosis through the spirit of dance. Through a continuous exploration of our past collective memories, we can strike a vein of abundant creative resources, enriching the essence of our life.

Body resonance is a key to opening up the doors of an ever-changing world inside and outside ourselves, which helps the body to unfold its secrets, holding them up until they shine and tremble. Everything is in resonance with each other. Through a dialogue with our body, we can learn to be moved by inner and outer forces, thus realizing we are a part of the Universe.

@ Japanese Culture Center, 1016 West Belmont Avenue

2018 Workshop Dates:
Thursday/ Friday April 19/20, 12-5pm
Saturday April 21, 1-7pm
Sunday April 22, 5:30-9:30pm

Eventbrite - Yumiko Yoshioka - 2018 Chicago Workshop

Workshop Content:
*Release exercises, inspired by Noguchi Taiso (Gymnastics), Taichi and Yoga
*breathing exercises
*dynamic training for the flow of energy
*Butoh-related work to activate our universal memories (sensitization, combination of image and movement with antenna exercises such as figure of 8, water ball, animal, insect, snake, witch and fairy, the creatures inside us, hanging body, walking, dialogue with a partner etc)
*structured improvisation, free association

Yumiko Yoshioka
Dancer, choreographer, teacher, art director
Born in Tokyo, residing in Germany since 1988

More about Yumiko.

Thanks to our partners for helping to make it happen ❤

JAF_Logo-v1 (1)Japanese Culture Center (JCC Logo) (1)

 

Mitsu Salmon February 18

Butoh Body
Sunday Feb 18, 
12-2pm
1474 N. Milwaukee Ave.
$15 

“How are our ancestors held and released in our body? Ancestries of plants, animals, and humans.” Mitsu

Mitsu’s class will draw from Butoh, contemporary dance, and
experimental theater, exploring the connection with body, unconscious
and imagery.

The class will focus on body-weather, Noguchi, mythical creatures and
sultry hands through guided imagery and structured improvisation.
All levels welcome and please wear comfortable clothing.

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Mitsu Salmon creates original performance and dance work. She studied Butoh and has been part of a Butoh company, Ima Tenko and Kiraza, for 3 years in Japan. She studied dance and experimental theater in New York and Berlin for a number of years and has performed and taught workshops internationally.  She has performed solo work at places such Links Hall, HCL, Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer, the Berlin Performance Art Festival, London Performance Art Festival and Urbanguild in Kyoto, Japan. Learn more on www.mitsusalmon.com.

 

Yelling at the Dark!

Madison-Chicago
Two evenings of live art (a mix of sound and movement based performance) celebrating the simultaneous absurdity and exhilaration of an insignificant act. The possibility of doing nothing. To explore strength in vulnerability, being our incongruous selves, recognizing our obtuse nature. Bubbling to the surface and being loud to root in embodiment.

Saturday March 3, 7-10pm
Elastic Arts, 3429 W Diversey Ave #208, Chicago, IL
$10 suggested donation

Saturday March 10, 7:30-10:30pm
Arts + Literature Laboratory, 2021 Winnebago St, Madison, WI
$10 suggested donation

Participating Artists:
Christine Olson (Madison, WI)
Jakob Maché (Vienna) (**March 3 only, includes workshops on March 2, 3)

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Louise Bock (Madison, WI)
Marina Kelly (Madison, WI)
db pedersen (Madison, WI) (**March 3 only)
Les Chanteuses du rien (Chicago, IL) Elaine Lemieux (voice) Hanna Brock (instrument) Sara Zalek (movement)
Ginger Krebs (Chicago, IL)
Mimi Wallman (Chicago, IL)
Aurora Tabar Existential Coat Check (Chicago, IL)

 

Organizers:

LouiseBock
Louise Bock

Sara Zalek, artist at Large www.saratonin.com
Christine Olson, performance and movement artist, www.christineolsonart.com

Special Thanks to Elastic Arts,  Arts + Literature Laboratory and OuterSpace Studios for their generosity of spirit, time, and space!

Movement Workshops with Jakob Maché
@OuterSpace Studios 1474 N. Milwaukee Ave, Chicago, IL
March 2, 3-6pm
March 3, 12-3pm
(More Info)

Body Tales – Jakob Maché

Based on the assumptions of various cultural traditions and neuroscience, this workshop aims at awakening old trans-generational memories buried in our bodies and let our bodies narrate it with its own gestures. Our focus lies hereby on our center, the enteric nervous system controlling our bowels, which acts like our brains autonomously. In order to deeply connect with ourselves and our dancing partners through our collective unconscious, we employ Katsugen Undo exercises, fundamental floor work from contact improvisation, atomic shakes and other techniques.

Friday, March 2 3-6pm
Saturday, March 3 12-3pm
@OuterSpace Studios, 1474 N. Milwaukee Ave.

Eventbrite - Body Tales. Jakob Maché

Registration $36/day, or $65 for both days.

The workshop is open to anybody who is ready to explore the whole depth of our existence. Jakob will also be performing at a ONE NIGHT ONLY event March 3 at Elastic Arts, Chicago, Yelling at the Dark!

Jakob Maché was born in Vienna, visiting Chicago for the very first time. Since 2012, he has been teaching workshops in contact improvisation in Austria, France, Germany, Nigeria and Benin. He received his training from teachers like Adalisa Menghini, Jörg Hassmann, Nancy Stark Smith, Anzhelika Doni, Nita Little, Andrew Harwood, Frey Faust and in Butoh from Minako Seki, Yuko Kaseki, Imre Thormann, Yumiko Yoshioka, Natsu Nakajima, Masaki Iwana, Ken Mai et Yoshito Ohno. Recent collaborations involve Michael Schmacke (Fake Masters, Berlin), Lynda Ait Amer (Berlin) et Mex Schlüpfer at the Volksbühne Berlin and Illuminate Theatre (Lagos).

 

Mari Osanai Noguchi Taiso

@Japanese Culture Center, 1016 W. Belmont Avenue

Thursday/ Friday Feb 8-9 12-5pm
Saturday February 10 1-7pm
Sunday February 11 5:30-9:30pm

Back in Chicago from Battles #1: Ground Work, Mari Osanai’s workshop focuses on Noguchi Taiso combined with the influences of her early training in Tai Chi, western dance methods, traditional folk dance in Aomori, Japan (her birthplace), and the connection between one’s thoughts and sensation of weight. Noguchi Taiso (Water Body movement) has been widely appreciated and incorporated/integrated into Butoh movement practice. Osanai’s approach to movement research and exploration begins with a heightened awareness of gravity’s influence on the body and the body’s connection with the center of the earth.
Mari Osanai is an independent dancer, choreographer, Noguchi Taiso teacher. She is based in Aomori, Japan. She has performed and given workshops in the United States, Canada, Greece.
Exercises in the workshop train the body to embrace its weight and heighten its sensitivity to move from its most relaxed and receptive state. Starting with images, such as washing the body with water, air, sunlight, workshop participants will discover the body’s vital energies rooted in its inherent hydrodynamics. Movement and form result as participants ingest imagery inside their bodies and allow the changes to shift the body’s interior.

Community Dance Class w/Ginger Krebs

Typically on First Wednesdays, 7:30-9:00pm
Next Classes: April 4, May 2, and June 6
at Volta Performing Arts, 2142 N Milwaukee Ave, Chicago 60647
$10/class

In these butoh-inspired movement classes we’ll work with specific pressure points (throat, jugular, sternum, femoral artery, instep…)  and the twin impulses to protect (make a beetle of oneself), and to roll over and show your belly.  We’ll also experiment with breath, “porousness” and yielding to gravity in order to invite swooping and acceleration, on the one hand, and steady, continuous movement, on the other.  All skill levels welcome!

Ginger Krebs is a dancemaker, performer, and visual artist whose work has been shown recently in Chicago at the Chicago Artists Coalition, Loyola University, the Museum of Contemporary Art, the Hyde Park Art Center, and site-specifically at a traffic island in Wicker Park.  Much of her movement suggests potential energy: the quivering of a body managing, defying, preparing for, or avoiding, rather than progressing decisively through space.  Some inspirations for her new project, Escapes and Reversals, include wrestling, drone warfare, Swan Lake, and an instructional video that explains how to debone a chicken.  Krebs is an Adjunct Associate Professor in Performance and Contemporary Practices at the School of the Art Institute of Chicago.

www.gingerkrebs.com     

TRADING ROUTES December 3 & 9

Solo Performance Works by Michael Sakamoto & Mitsu Salmon

Midwest Nexus Touring Grant Exchange

Sunday // December 3 at 7PM
Saturday // December 9 at 9PM

LINKS HALL
3111 W. Western Ave, Chicago, IL

As part of Trading Routes Festival
Tickets $12-15 at www.linkshall.org


BLIND SPOT
Michael Sakamoto & Christopher Jette
Sakamoto and Jette present excerpts from “blind spot,” a work-in-progress dance and sound performance. Using Michael’s autobiographical narrative and visual metaphors from photography and cinema, “blind spot” addresses the intersection between intellectual property, corporate militarism and personal narrative.

TSUCHI
Mitsu Salmon 
Tsuchi is a solo interdisciplinary performance piece. It draws from Mitsu’s great- grandfather’s experience of immigrating from Japan to Hawaii as a farmer and then becoming his dream of becoming a high-end waiter. The piece delves into and obscures his life and then branches out to the stories of Mitsu’s. The work explores questions of family and travel through Butoh, contemporary, dance, and everyday movements with music and text. Awarded best collaborative multimedia dance performance and Top 5 best emerging dancer performances from Newcity 2015.


About the Artists:
MITSU SALMON creates original performance and visual works, which fuse multiple disciplines. Salmon received her MFA from the School of the Art Institute of Chicago in 2014. In 2005 she graduated from NYU where she majored in Experimental Theater.
She has performed solo work at places such Performance Space 122, Dance Theater Workshop, Highways Performance Space and internationally at Hebbel Am Uffer (Berlin) Central Saint Martins (London), and Urbanguild (Kyoto). She has participated in the Asquared Asian American Performance Festival in Chicago, the Berlin Performance Art Festival, and Act Art London Performance Art Festival. She has been awarded artists residencies at Earthdance in Massachettes, Oxbow in Michigan, Tsung Yeh in Taiwan and Villa Pandan Harum in Bali, Indonesia. In Chicago, she has been awarded residencies through High Concept Lab, the Cultural Center, and Links Hall. www.mitsusalmon.com

MICHAEL SAKAMOTO is an interdisciplinary artist active in dance, theatre, media and photography and one of the leading butoh-based performers in the USA. Dedicated to nurturing intercultural dialogue and cultural sustainability through performative and visual methodologies, Michael creates choreographic and narrative performances, media works and photo essays designed to challenge audience assumptions and reveal diverse experiences across geography, language and social boundaries. His works have been presented in 14 countries throughout Asia, Europe and North America, including at REDCAT, Vancouver International Dance Festival, Dance Center of Columbia College (2016), TACT/Fest Osaka, UCLA Fowler Museum and many others. He is currently touring: “Flash”, a butoh/hip-hop duet with acclaimed choreographer Rennie Harris; “Soil”, a dance theater trio with Southeast Asian dancers; and “blind spot”, an intermedia solo performance exploring intellectual property censorship and corporate militarism. Michael is also writing a book project, “An Empty Room: Butoh Performance and the Social Body in Crisis” for Wesleyan University Press.

CHRISTOPHER JETTE is a curator of lovely sounds, creating work as a composer and new media artist. His creative work explores the artistic possibilities at the intersection of human performers/creators and technological tools. Christopher’s research details his technical and aesthetic investigations and explores technology as a physical manifestation of formalized human constructs. A highly collaborative artist, he has created works that involve dance, theater, websites, electronics, food, toys, typewriters, cell phones, instrument design and good ol’ fashioned wood and steel instruments. In addition to creating concert music, Christopher explores Creative Placemaking through site-specific and interactive work as a core-four member of the Anchorage based Light Brigade. He was the 2015-16 Interdisciplinary Grant Wood Fellow and Visiting Assistant Professor of Music at the University of Iowa and currently serves as Visiting Artist at Stanford University’s Center for Computer Research in Music and Acoustics.