Decenber 6-8pm Film screenings + Butoh Discussion

1–2 minutes

To read

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present, transient
by Piibe Kolka

‘present, transient’ studies rhythms between a city and a body. A body that perhaps has left its social layers for a moment. And a city that can be surprised. This is an exploration performed and observed that involves a butoh dancer, a white skirt, an eye and a camera, an ear and a microphone, changing light, sounds and materials, numerous trajectories, objects and passersby.

Performed by Vangeline
Filmed, directed and edited by Piibe Kolka
Sound recording by Danielle Chu

Piibe Kolka is a filmmaker from Estonia, currently based in Brooklyn, NYC. Her work combines interests in personal storytelling, ethnographic film and audiovisual experimentations. She has studied cultural anthropology in Estonia and documentary media and film at The New School in New York. She is currently working as a freelance film maker in NYC. She has worked on independent film productions and performance projects in Estonia, Latvia, France and USA.

Her filmography includes “present, transient” (experimental film, 2014), “Soundationists International” aka “So I…” (audiovisual happening, 2014) “540 nanometers” (short documentary, 2012),

“The Experimenter” (assistant editor, 2014, dir Michael Almereyda, in post production), “In Sound” (co-author, 2011),  “On the River of Memories” (assistant producer, 2011).

ghostsScene from Delusions of Grandeur
by Lauren Beck

Lauren Beck is a filmmaker and visual artist who lives and works in Chicago. She received her MFA from the University of Chicago and has exhibited her work at spaces including the Suburban, Regina Rex, and Gavin Brown’s Passerby. She is currently completing her first full-length film, “Delusions of Grandeur,” which features choreographed sequences by Sara Zalek.

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Hiroko Tamano

This 1 minute excerpt gives a taste of Butoh legend Hiroko Tamano’s teaching, philosophies, and movement. In the “Dance of Life: a Prayer in 4 Directions”, Hiroko has built upon this Indigenous practice learned from Txi Wizz (Canadian Buffoon) over 40 years ago.

She has imbued it with her own movements and philosophy as a gift of healing and empowerment to an anxious world. In her words, “this dance form gives ‘presentness’,” and awareness of the directions “gives ‘no confusion’ to the prayer.”