Yuko Kaseki / Frontier in Body Tadashi Endo / HAUTNAH
Celebrating five years as an ad-hoc passion project, Butoh Chicago is proud to present disillusion/dissolution, a Butoh non festival in May, 2019. We will feature performances, workshops, and informal gatherings around Butoh for the month. Join us, won’t you?
TWO EVENINGS OF BUTOH TRAINING September 26/27 6-9:30pm $50 per night, $90 for both @Outerspace!! 1474 N. Milwaukee Ave. Register online
Embodying the Spirit: Butoh Training with Joan Laage
Experience training methods towards a supple body and mind, and investigate aesthetics common to Butoh through creative explorations. This workshop is a process of erasing and re-creating the body through guided improvisation largely inspired by nature imagery. ETS explores endless questions: What is life? What is the human condition? What is the body? How can we experience infinity within the body/mind? The workshop structure includes exercises and explorations of physical body, nature body, and transforming body. Group and partner work will facilitate participants’ individual and collective journeys. The workshop draws from her training with Butoh Masters Kazuo Ohno and Yoko Ashikawa and her background as a Tai Chi practitioner and professional gardener.
Joan Laage (Kogut Butoh) studied under butoh masters Kazuo Ohno and Yoko Ashikawa and performed with Ashikawa’s group Gnome in Japan in the late 80s. After settling in Seattle in 1990, she formed Dappin’ Butoh, a company known for its appearances in Seattle’s fringe theater and dance festivals. Joan has performed and taught at national and international butoh and dance festivals, and was a featured artist at the UCLA Butoh Symposium in May 2011, and has been an adjunct faculty at Cornish College of The Arts (Seattle). She is featured in Dancing Into Darkness: Butoh, Zen, And Japan and Butoh: Metamorphic Dance and Global Alchemy by Sondra Horton Fraleigh. She performs frequently at the Seattle Japanese Garden where she is a docent. Joan is known as a NW butoh pioneer, and is a founding member of DAIPANbutoh Collective which produces an annual butoh festival in Seattle. www.seattlebutoh-laage.comwww.daipanbutoh.com
There are a few more days to catch the Early Registration Deadline for Yumiko’s Workshop April 21-24! Purchase full immersion tickets for $185 until April 7 at 6pm, or use the code: 34rlyb1rd for 10% of individual day ticket sales. More information about the workshop here: https://butohchicago.wordpress.com/yumiko-in-spring/
April 2, 12-3pm. One Day Only Workshop at Columbia Dance Center
This three hour workshop and conversation delves into contemporary Butoh thought and artistic practice. Visiting Butoh dancer and scholar Michael Sakamoto leads a two hour movement workshop followed by a conversation with Columbia Dance Center faculty and dancer Darrell Jones to enlighten us on their individual approaches to presenting Butoh within contemporary performance practice. Come prepared to move and reflect. All levels welcome! RSVP for this free workshop ASAP. Class size is limited to 24.
Michael Sakamoto is an interdisciplinary artist and scholar active in dance, theatre, performance, media and photography. His solo, ensemble and visual works have been presented in 14 countries throughout Asia, Europe and North America.
Currently touring “Flash,” a butoh/hip-hop duet with Rennie Harris, Michael is also developing “blind spot,” an intermedia performance and book project integrating discourses around the body, media imagery and intellectual property, and “Soil,” a dance theater trio with performers from Thailand, Cambodia and Vietnam/USA. Michael’s research and performance interests include contemporary imaginings of the butoh-based “body in crisis,” corporeal and mediated embodiments of self-reflection and social resistance, and performing the cultural commons and cultural sustainability. From 1994-2000, he was also a featured soloist in the Rachel Rosenthal Company.
Michael holds an MFA in Dance and PhD in Culture and Performance from UCLA, is former Co-Director of Goddard College’s MFA in Interdisciplinary Arts Program and currently serves as Assistant Professor in Dance at the University of Iowa.
Darrell Jones has performed in the United States and abroad with a variety of choreographers and companies such as Bebe Miller, Urban Bush Women, Ronald K. Brown, Min Tanaka and Ralph Lemon.
Along with performing Darrell continues to choreograph and teach. He has collaborated with other choreographers (Paige Cunningham, Lisa Gonzales, Damon Green, Angie Hauser, JSun Howard, Kirstie Simpson, Jeremy Wade), writers (Cheryl Boyce-Taylor), musicians (Jessie Mano, Brian Schuler, Justin Mitchell) and designers (Mawish Syed) in dance films, documentations and interactive multimedia installations. In addition to his collaborative work he continues to work in solo forms and has choreographed for professional and student ensembles (The Seldoms, University of Colorado, Univeristy of Illinois).
Darrell has received choreographic fellowships from MANCC, CDF (Chicago Dancemakers Forum) and is a two time Bessie award recipient for his collabrative work with Bebe Miller Company and his most recent research in (e)feminized ritual performance.
Darrell has also taught workshops and master classes in dance technique and improvisational processes throughout the United States and in other countries such as South Africa, UK, and South Korea. Darrell is presently a tenured faculty member at at The Dance Center of Columbia College in Chicago where he teaches classes in dance techniqe, performance and improvisational practices. His classes are informed by his training and studies in a variety of contemporary dance techniques and Traditional Dance forms.
To truly awaken the body is a physical, emotional, mental and spiritual process. Every Butoh Ritual Mexicano workshop involves high-impact aerobic training, active meditation, and guided improvisation, all embraced within a sense of communal ritual. The collective physical training consists of stretching, shaking, jumping, low-level groundwork, balancing, partnering, weight sharing, impulse exchange, bodywork, bioenergetics, breath expansion, and transpersonal communication. Active meditation exercises are introduced to quiet the mind and awaken originative, non-reactive impulses for organic movement. Guided improvisations then give participants the opportunity to integrate this newfound sensory awareness within their physical body, environments both internal and external, and the shared workshop space.
Diego Piñón’s teachings are the distillation of his extensive research in body-based energy methodologies he has developed since 1975. Butoh Ritual Mexicano is primarily derived from Diego’s Mexican heritage with traditional energetic practices and Japanese butoh under the guidance of Kazuo Ohno, Yoshito Ohno, Min Tanaka, Natsu Nakajima, among others. Diego’s extensive artistic research includes modern dance technique, contemporary movement and theater practice, and therapeutic body modalities. He performs and teaches throughout the US, Canada, Europe and Mexico using Butoh Ritual Mexicano as a means to transform personal and collective divisions through the dancing body and to cultivate a deeper connection to our shared humanity.